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Cassandra: A Novel and Four Essays, by Christa Wolf
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About the Author
In 1980 East German author Christa Wolf took a trip to Greece accompanied by her husband, Gerhard. In 1982 she was awarded a guest lectureship at the University of Frankfurt, where in May she delivered a series of five "Lectures on Poetics" relating to her Greek travels and studies. The fifth "lecture" was ad raft of the novel Cassandra, which she then revised and expanded for publication. The four introductory lectures were published separately in Germany under the title Conditions of a Narrative: Cassandra; The Frankfurt Lectures on Poetics (Voraussetzungen einer Erzählung: Kassandra). This volume presents the novel first, followed by its companion lectures, which illuminate its background and implications.
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Product details
Paperback: 320 pages
Publisher: Farrar, Straus and Giroux; 2nd Printing edition (May 1, 1988)
Language: English
ISBN-10: 0374519048
ISBN-13: 978-0374519049
Product Dimensions:
5.6 x 0.9 x 8.3 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#469,068 in Books (See Top 100 in Books)
Christa Wolf was one of the two finest writers in the German language to emerge following World War II, the other being Ingeborg Bachmann, whom Wolf discusses extensively and cogently in one of the four accompanying essays. The first part of the book, the novel itself written in first person from the point of view of Cassandra, is utterly enthralling. It is one of those books in which every paragraph contains a sentence or an expression or an idea so startling that one feels the need to stop and think about it before one continues reading. Wolf succeeds brilliantly in getting inside Casandra, her feelings, thinking, loves, hates and desires. And the character of Cassandra, in turn, succeeds brilliantly in getting inside the other players in the Trojan War saga, both the Greeks and the Trojans. The accompanying essays are no less fascinating. Yes, this is a profound and lasting piece of feminist writing. But it is so, so much more. Wolf's admirable and ground-breaking feminism is only one aspect of her overall view of history and the human species' place in it. To sum up: this is a work of genius by a genius. I give it my highest recommendation, and am certain that I will read it again.
A priestess, a defeated world power, the arrogance of victors in the world of classical Greece - how can all that speak to us today? Combine those features with the frustration of a woman being right but routinely ignored, and you have a great novel. Wolff adds to the wonderful experience through her essays, well worth reading. She is little known in the US, but should have a great audience among young women and fans of well-designed plots,
This is an astounding novel. Told from Cassandra's point of view, as she awaits her end at Mycenae, the recount of the war at Troy from one who wasn't listened to offers tremendous insight into any war, at any time, in any place. It's about the mythologising of myth, really; the spin, the suppression of truth, the misuse of language, the subversion of the normal, the rejection of good sense, to bring about a state of war that will satisfy the perverse egos of a particular type of back-room intriguer with limited talents and too much influence. It's handy to have some knowledge of 'The Iliad' and Greek mythology (or to have a copy of 'Who's Who in Greek Mythology' close by) because sometimes you need reminding about who everyone is among the large cast of characters. Despite this description, which sounds a bit heavy, it's a very readable book in an excellent translation. Cassandra is not the moaning Minnie she's often depicted as, but a character of depth, interest, sly observations, and even humour of a bleak kind. The language is wonderful, too. In fact, this novel has everything going for it. And into the bargain, it's not very long. Plus, it comes with some (probably) very insightful notes and lectures by the author at the end (which I haven't read, but you don't really need to, although they're most likely very edifying).
I remember an old girlfriend of mine. No way she could show some interest or appreciation for books I read, ever. Well, to my greatest satisfaction, when she grabbed this book from my library -- that was when she found me reading it for the third time -- and finished it, she was almost unable to speak and could only utter: terrific.
The Kindle version is in Italian, not English
Love reading about my NAME.
I first read this book when it was released, when it was a marvel to me. Back when it was published, it was one of the first feminist re-tellings of a classic that I had ever read. And why not? Cassandra’s story is very much a woman’s tale of a woman who possessed great knowledge, but because she had rebuffed a god’s rape attempt, was condemned by him to never have anything she said believed.You could not write a more “#metoo†tale if you tried.Wolf was also living in the then-Soviet Bloc East Germany, and was using the Cassandra story as a means of talking about all the things that people living in oppressive systems are not allowed to say.This is not a book for those who want some kind of adventure story where much thinking is not required. But for those willing to wrestle with what Wolf found in Cassandra, and the things she still could not say that *might* be in her text, this is a great read.Yes. Many who followed Wolf into the canon of myth to re-claim these stories tell better and more interesting versions. But this books should be respected for what it was at its time and what it represents. An intellectual speaking about what happens to women when their speech is disbelieved.
I haven't much to add to previous reviews except a personal response to the text. Yet another tough book to comment on due to its translated form, Christa Wolf attempts to rewrite a myth from a female perspective and turn the Iliad on its head. The first person stream of consciousness is like a cloud that passes over that period in history, soaking up the facts we know and sprinkling them back down on us in digest form. Cassandra is not so much concerned with its own myth as picking and choosing focal points ripe for re-focusing from a modern feminist perspective (sexuality, the male heroes and their brutality, the reality of war, the mind-control of politics). Although Interesting, and possibly even poetic in its native tongue, Cassandra is more curious as an academic project than a piece of literature.
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